Showing posts with label Kuan Yin. Show all posts
Showing posts with label Kuan Yin. Show all posts

Tuesday, 4 November 2025

THE DRAGONS IN JOURNEY TO THE WEST (REVISED 2025)

 

THE DRAGONS IN JOURNEY TO THE WEST (REVISED 2025)


The Dragons in Journey to the West is one of the Four Major Classical Novels of Chinese literature written in the 16th century during the Ming Dynasty. Its authorship was attributed to Wu Cheng’en. The novel is a fictionalized account of the legendary pilgrimage to the "Western Regions” by the Buddhist monk Xuanzang to obtain sacred Buddhist texts called sutras.


In real life, Xuanzang (c. 602 – 664) was a monk at Jingtu who actually travelled to India during the Tang Dynast. He left Changan in 629, seeking to attain better transcripts of Buddhist scriptures despite the fact that the borders were closed because of the ongoing war with the Göktürks. Xuanzang’s determination and persistence paid off and helped by sympathetic Buddhists, he travelled via Gansu and Qinghai to Kumul (Hami), then onto Tian Shan Mountains to Turpan. His journey led him across to what are today Kyrgyzstan, Uzbekistan, Afghanistan, Gandhara and finally (in 630) to India.

In the fictional version pilgrimage took about fourteen years to complete, the actual records however provide evidence of only nine years. After reaching his destination during the subsequent thirteen years Xuanzang travelled throughout the Indian subcontinent visiting important Buddhist pilgrimage sites and studying at the ancient university at Nalanda. Xuanzang left India in 643 and arrived back in Chang'an in 646 to a warm reception by Emperor Taizong of Tang.


Monk Xuanzang had subsequently joined Da Ci'en, where he led the building of the Big Wild Goose Pagoda in order to store the scriptures and icons he had brought back from India. In the following years he recorded his journey in the book Great Tang Records of the Western Regions. With the support of the emperor, he also established an institute at Yuhua Gong monastery dedicated to translating the scriptures he had brought back into Chinese. His translation and commentary work established him as the founder of the Dharma character school of Buddhism. Xuanzang died on March 7, 664. In 669 the Xingjiao Monastery was established to house his ashes.

Suffice to say popular stories of Xuanzang's journey were in existence long before Journey to the West was written. In these versions, dating as far back as the Southern Song Dynasty, a monkey character was already a primary protagonist. Before the Yuan and early Ming dynasties, elements of the Monkey story were already in existence.

This enduringly popular epic adventure story is full of spiritual insight and an extended allegory in which the group of pilgrims journeying toward India represented individuals journeying towards enlightenment.

The brief account of the story is this: The bodhisattva Avalokiteśvara (Guanyin), on instruction from the Buddha, gave this task to the monk and his three protectors in the form of disciples — namely Sun Wukong, Zhu Bajie and Sha Wujing — together with a dragon prince who became as Xuanzang's steed, a white horse. The four disciples agreed to do this in order to atone for past sins.


Sun Wukong, the first disciple is the most interesting character, taking equal billing to Xuanzang. 

The first disciple of the Monk, Sun Wukong, was born from a stone and nourished by the Five Elements. Earlier on he’d learned the art of the Tao, 72 polymorphic transformations, combat, and secrets of immortality and through guile and force made a name for himself, "Great Sage Equal to Heaven". Sun Wukong’s had in his possession the greatest of weapons, a staff called, "Ruyi Jingu Bang”.

This, as well as his previous consumption of the peaches of immortality, three jars of elixir, and his time spent being tempered in Laozi's Eight-Trigram Furnace (that far from being burned to death, gave him a steel-hard body and fiery golden eyes that could detect from then on any demon or disguise) made Wukong a most powerful protector.


Besides these abilities, he could also pluck hairs from his body and blow on them to convert them into whatever he wished (usually clones of himself to gain a numerical advantage in battle). Although he was master of the 72 methods of transformation into animals such as a bee, fly, or bird, which would give him the ability to fly, he could use his "somersault cloud" to travel vast distances in a single leap. The Monkey, nimble and quick-witted, used these skills to defeat all but the most powerful of demons on the journey. Sun Wukong's childlike playfulness was a huge contrast to his cunning mind. This, coupled with his great power, made him a trickster hero. His antics presented a lighter side in what proposed to be a long and dangerous trip into the unknown. Such a being would be impossible to handle but Sun's behavior was checked by a band placed around his head by Guanyin, which could not be removed by Sun Wukong himself until the journey's end. Xuanzang was given the ability to tighten this band by chanting the "Ring Tightening Mantra" (taught to him by Guanyin) whenever he needed to chastise Wukong. The spell was referred to by Xuanzang's disciples as the "Headache Sutra", which was the Buddhist mantra "o maipadme hū". Xuanzang speaks this mantra quickly in repetition.


In Journey to the West, the events and adventures are both imaginative and colourful, set against the impassably wide rivers, flaming mountains, various magical kingdoms, a nation of females, a lair of seductive spider spirits just to mention a few. Throughout the epic story, Xuanzang and his disciples were forced to fend off attacks from monsters targeting Xuanzang, often wanting to devour him in order to attain immortality. These manifest monsters occasionally turned out to be an escaped celestial beast belonging to bodhisattvas or Taoist sages and deities. Then there were the calamities that were either due to obstructive fate or were a test of Buddha.


At the conclusion, each disciple was rewarded in the form of posts in the bureaucracy of the heavens. Sun Wukong and Xuanzang for instance achieved Buddhahood, Sha Wujing became an Arhat, the dragon horse was made a nāga, and Zhu Bajie, whose good deeds had always been tempered by his greed, was promoted to an altar cleanser (the eater of excess offerings left at altars).

In Journey to The West, there were also many exciting and colourful references to Dragons. Water Dragons in general were believed to be the rulers of moving bodies of water, such as waterfalls, rivers, or seas. They sometimes showed themselves as waterspouts (tornados or waterspouts). As divine rulers of water and weather they were more anthropomorphic in form and were often depicted as a humanoid, dressed in a king's costume, with a dragon head and wearing a king's headdress.

They had also the ability to shape shift entirely into human form. In this epic story the Dragon Kings were periodically depicted as living underwater in magnificent crystal palaces. They had of course their own royal court and commanded an army comprising various marine creatures. Apart from presiding over aquatic life, the Dragon Kings could also manipulate the weather and bring rainfall. In this fiction the four Dragon Kings of the Four Seas are: Ao Guang- The Dragon King of the South Sea; Ao Qin, Dragon King of the South Sea; Ao Run, Dragon King of the West Sea and Ao Shun, Dragon King of the North Sea.


Here are the examples of three such incidences where Dragons had manifested:


First Incident: Obtaining the Magic Staff:

This staff was Wukong’s primary weapon, the "Ruyi Jingu Bang", which he could shrink down to the size of a needle and keep in his ear or, when warranted, be expanded to gigantic proportions.


Needing a powerful weapon befitting his strength and skill, Wukong visited the Dragon palace and accosted the Dragon King Ao Guang. It is here the Monkey king obtained Ruyi Jingu Bang, his powerful, magically expanding, gold ringed iron cudgel after trying and rejecting many other heavenly weapons. According to the legend, Ruyi Jingu Bang had once been a pole used for measuring sea water depth by Da Yu in his flood control and treatment efforts. After Da Yu left, it remained in the sea and became the stabilizer known as "Pillar Holding Down the Sea". As soon as Wukong neared this massive pillar it began to glow, signifying that the monkey king was its true owner. The 18,000-pound rod obediently listened to Wukong’s command and shrunk to a manageable size to be wielded easily.


In addition to the magic staff, Wukong also obtained a golden chain mail, a phoenix-feather cap, and cloud-walking boots from Ao Guang. 

Second Incident: Introduction to Fourth Disciple Yulong:


Yulong is the white horse that Buddhist Monk Xuanzang rides. Yulong, the son of the Dragon King of the West Sea, was sentenced to death for setting fire to his father's great pearl. Like Sun Wukon he too was saved by Guanyin from execution and became the fourth disciple, protecting the Monk Xuanzang. Aside from being a white horse, Yulong also makes appearances as a White dragon and a young man in human form.

Third Incident: Is the contest for making rain:

Here, the skill of Monk Xuanzang is pitted against evil spirits posing as Taoist monks. The nation he passed through had long suffered a severe drought. In order to obtain safe passage through this nation Xuanzang engaged in a contest to summon rain. In order to bring this about Sun Wukong utilizes the Dragons of the sky to assist his master.


There is vast array of supernatural entities, evil spirits, goblins, demons and many more incredible adventures throughout this incredible time-honoured novel, Journey to the West. Book has also been made into movie more than once. If interested, check it out on YouTube.

THE END

 

Saturday, 8 June 2013

A Trip to the ROM


A Trip to the ROM


Every city or town boasts about its unique and magnificent collections housed in a magnificent Museum. It is where many cherished accomplishments are displayed, items which demonstrate the similarities and differences of many cultures.

The Museum shows that in the great scheme of things we are one. We are all homo-sapiens are we not? Can you resist being moved by all those historical objects, traditional and allusive vessels used in religious ceremonies of other cultures? Beware, its captivating ambience converts the most hardened and jaded souls. In the end you are like a child, totally awed by gigantic prehistoric animals, reptiles, birds, fish, shelled ammonites and, of course, the dinosaurs!

Stroll to the geology section and marvel at the collection of minerals that had once taken a ride within the meteorite that had crashed onto our Earth, providing mankind with the necessary metal of civilization, iron, copper to be used for good or ill.
We are all citizens of the world, all homo-sapiens, and what differentiates us is our chosen way of life, traditions, nationalities and geographical locations.

Visiting a Museum is much like going back to an ancestral home- a place where we are all one.











































The End